The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution

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The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution Customer Reviews

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• 5.0 out of 5 stars from thoroughbred21 -- Searing account of Benin massacre, exciting agenda for museums : Meticulously researched and gripping history of the British "punitive expedition" of the territory of Benin (now Nigeria). Motivated by greed, nationalism, false rumors, and racism, British military demolished this area and killed possibly 70,000 people, subsequently stealing as much "loot" as they could carry. This loot now sits in anthropological museums around the world, with concentrations in Britain. The author is curator of the Pitt Rivers Museum in Oxford, and uses the vitrine cases of objects in his own museum to meditate on what needs to be done, to begin to unravel the bloody colonialist history and the continuing violence represented in these stolen objects on display. Written from the heart - highly recommended. ( Reviewed in the United States on December 20, 2020 )
• 4.0 out of 5 stars from AJ -- Museum As A Weapon : This book is thought-provoking and the topic is relevant to these times. The book may not be to the taste of all political stripes, but the issues treated are pertinent to the current geopolitical state of things. The writing style can be a little abstruse at times and the tone is sometimes high-handed. Still, this is an important contribution to the examination of how artefacts of history are handled, housed and used as propaganda pieces, with some possible solutions for fairer treatment of formerly colonized peoples. ( Reviewed in the United States on April 3, 2021 )
• 5.0 out of 5 stars from Amazon Customer -- Astonishing read! : Well written. Author is clearly an expert! Facts‼️ ( Reviewed in the United States on April 28, 2021 )
• 5.0 out of 5 stars from Cookie -- Why Repatriation if stolen artifacts and religious objects is necessary : Extraordinary history! Everyone interested in culture, history and museums should read this book! ( Reviewed in the United States on March 25, 2021 )
• 5.0 out of 5 stars from Peter Campbell -- An important and timely book : This book is destined to become the standard for understanding the relationship between colonial era museums in Europe and the places they are supposedly meant to educate the public about. It exposes unhealed wounds and argues passionately - and convincingly - that museums need to take a more proactive role in addressing them. Well written and beautifully produced. ( Reviewed in the United States on November 21, 2020 )
• 4.0 out of 5 stars from MysteryReader -- Difficult to rate : I thought the message of the book was an important one that needs to be given greater prominence in museums around the world. I have to say the general writing style made the book difficult to read. I am a well-educated academic and a writer, and I resented the number of times I had to reread sentences that were more than 100 words long, more than 200 words long, with subordinate clauses to subordinate clauses to subordinate clauses. It is possible to write a book like this in crisp, readable English. ( Reviewed in the United States on June 28, 2021 )
• 1.0 out of 5 stars from c.r.hallpike -- The red mist of moral indignation : The author is Professor of Contemporary Archaeology at Oxford, Curator of the Pitt Rivers Museum, and a Fellow of the Society of Antiquaries, which might lead us to expect a work of objective and even-handed scholarship. The book’s title, however, is a warning that what we are actually going to get here is a vitriolic political tract written in a red mist of moral indignation against the British Empire. The British are relentlessly portrayed as entirely villainous – unscrupulous, avaricious and, of course, “ultra-violent” – while the poor Africans are simply their blameless victims, and the whole book is a demand for the restoration of museum exhibits to the peoples from whom they were “stolen”. The author’s almost unreadably pretentious style certainly does nothing to enhance his claims. For example, we are asked to picture ourselves looking at a display case in the Pitt Rivers Museum: “Hold your phone up against the plate glass of the triple vitrine. The silence and stillness are not natural conditions for the displaced objects on display here. They are the effect of a stilling, as when detention interrupts transit, and of a fracturing, as when a shrapnel shell explodes at its target, and of a silencing, as when a gun is silenced”. ( Reviewed in the United Kingdom on December 8, 2020 )
• 5.0 out of 5 stars from — -- One of the most important books of the year : The writing is stylish and quotable. ( Reviewed in the United Kingdom on March 12, 2021 )
• 3.0 out of 5 stars from Mr H. -- Content spoiled by writing style : Interesting and thought provoking book, but did anybody proof read it?. A 152-word sentence. Come on. ( Reviewed in the United Kingdom on November 19, 2020 )
• 3.0 out of 5 stars from KRM11 -- Agree with the message, delivery not for me : I was really excited to get this book but unfortunately I struggled to get on board with the style. The message is really clear and wholeheartedly agree just felt it came across almost shouting/angry at times. Would have like more on the background/stories of how the items were acquired too ( Reviewed in the United Kingdom on March 12, 2021 )
• 3.0 out of 5 stars from R. Kerwin -- Interesting but a hard slog : This is a powerful and important story, undone by the writing style and the grammar. I've just counted a single sentence of 159 words and I've lost count of how often I've read the phrase "razed to the ground". ( Reviewed in the United Kingdom on February 15, 2021 )

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